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The Four Steps in Wine Tasting Technique

Ever wondered how winemakers and professional wine tasters actually go about tasting their wines?  Well, here are the four steps that they go through.  Use these steps as your framework for the next time you taste a wine.

1.  Look at the Wine

In Australia, wine judges award a wine a maximum of 20 points based on the following:

  • Colour:  3 points.
  • Aroma: 7 points.
  • Taste: 10 points.

The interesting thing is that 10 of the maximum 20 points are for things other than what the wine actually tastes like!

Therefore, the first step in tasting a wine like a professional is to look at the wine.  But what are you looking for?

First, you are looking to see that the wine has no obvious faults.  That is, the wine is not cloudy or fizzy and that there are no solid elements floating around in it. 

Secondly, you are looking to see that it is the right colour for the type of wine it is and its age.

  • For example, a young white (1-3 years old) should usually be a pale straw colour with a tinge of green around the rim to indicate its youthfulness.  As a white gets older, it takes on a yellowier colour.  Later, it turns golden and finally, when it is old, it turns brown.
  • A red wine is usually a deep crimson with a purple tinge to indicate its youthfulness, then it takes on a brick red colour, then finally it also turns to brown when really old. 

Therefore, if you looked at a young chardonnay and it was already a deep gold colour, the wine is probably more developed than it should be at that stage of its life.  Similarly, if you looked at a young shiraz (1-4 years old) and it was a brick red, then it also is more developed than it should be at that stage of its life.

Yes, there are exceptions, but these are the general rules of thumb.

Thirdly, you are looking to see how dense the colour of the wine is.  A young semillon can be almost water white and there is usually nothing wrong with that, it is just “interesting” to note at this stage of the tasting.  You just file this away and reserve judgment until you have actually finished going through all the steps.

If a young cabernet sauvignon were translucent rather than opaque, this would indicate that it would probably be a light-bodied wine…. or it might simply lack colour and extraction.  Again, you will have to bear this in mind when you taste it. 

As a rule, however, most wines in Australia are so well made that you would usually give them three out of three for colour.  So if you are ever  stuck with a group of winemakers and you don’t know what to say, try saying, “Well, you’ve got to give it three out of three for colour!”   

To determine the colour of the wine, go through these steps:

  • Tilt the glass at 45 degrees and hold it away from you.
  • Hold it against a white background.
  • Look at the intensity of the hue of the wine by looking at it directly from above.

2.  On the Nose

For some odd reason, winemakers do not “smell” a wine.  They “nose” it.  Who knows why?  It is one of the many odd phrases that winemakers have.  For example, they never “try” a wine or “drink” a wine.  They always “look” at it.   So one winemaker might say to another, “I looked at your Chardonnay the other day… not bad at all!” 

The simplest way to “nose” a wine is to just lift up the glass and smell it.  You may have noticed the odd habit that winemakers have of swirling a glass of wine inside the glass.  They do this to excite the molecules on the surface of the wine so that more molecules float off and are available to smell.  You can swirl the wine with the base of the glass on the table, or you can swirl it in the air – it does not matter.

You should hold the glass by the stem when you do this.  Some winemakers hold the wine further down by the base, but there is no difference between the two techniques – it is just a matter of preference.

To “nose” the wine, go through these steps:

  • Tilt the glass at 45 degrees towards you.  This gives the maximum surface area of wine and therefore the maximum amount of volatile compounds will float off the surface and be available to smell.
  • Put your nose just over the top of the glass so that you will be able to smell those volatile compounds.
  • Take one short sniff.
  • Try shutting your eyes at this point.  Some winemakers swear this helps them concentrate on the wine.  This is purely a personal preference.
  • Ask yourself, “Is this wine clean?”  That is, make sure it does not smell like wet Hessian (corked wine), or vinegar (volatile wine), or rotten eggs (hydrogen sulphide), or sulphur (too much sulphur dioxide at bottling). 
  • Next, ask yourself, “Is the smell of this wine typical of the variety?”  Now this question involves actually knowing what each variety should smell like!  There are, however, one or two key indicators for each variety.  Chardonnay, for example, often smells like melons or peaches.  If it smells like fruit salad, then it probably does not have the typical chardonnay characters one would ordinarily look for.  That is not to say the wine is bad (at least, not this early in the tasting), it is just different to many others of that variety, and so you are on guard when it comes to the tasting.

3.  Taste the Wine

Finally, you can drink the thing!  Two things are now going to happen.  First, you will get some impression of the sweetness, acidity, tannin and body of the wine via the tongue.  The rest of the taste sensation comes from the aroma of the wine in the nose.

Take a generous mouthful and hold it in your mouth for a few seconds.  Then swallow it or spit it out.  Okay, only spit it out if you are in a wine tasting session, do not do it if you are in a restaurant or a guest in someone’s house!

Now when tasting, winemakers have another trick that helps them uncover the nuances of the wine more easily.  This one takes a little practice!

Take the wine in your mouth, and then tilt your head downwards.  Now open your lips slightly and at the same time, draw air in through your mouth so that the wine is aerated (and so that the wine does not fall out of your mouth!)  This again makes the volatile compounds in the wine float up and make its way into the olfactory passages of the nose.  This makes a slurping, gurgling sound; so again, check the appropriateness of this technique.  Basically, “okay” at professional wine tasting, “not okay” at dinner with the Queen.

Weigh up the flavour components while the wine is in your mouth.  Notice the length of the flavour and the “persistence of flavour” – how long you can taste the wine after you have swallowed it.  The longer you can taste it after you have swallowed it, the better the wine (assuming, of course, that the flavour was an enjoyable one!)

4.     Weigh it All Up

 

This technique ensures that you go through all the processes necessary to judge a wine and you do them in the order that is designed to maximize the receptiveness of your senses of sight, smell and taste. 

 

  • By looking at the wine first, you are concentrating all your attention on the appearance of the wine.
  • By nosing it, you are giving this crucial aspect of the wine’s character all the attention it deserves without the distraction of its flavours.
  • By tasting it last, you already have the finer nuances of the wine’s aromas in your mind before going through the coarser receptors of the tongue.

  

Killerby Vineyards Pty Ltd
Caves Road, Margaret River
1800-655-722 ph  1800-679-578 fax
grapevine@killerby.com.au